Goldcrest Post London: Dean Street Theatre

The Dean St Theatre was refurbished in 2009 creating a room designed purely for theatrical mixing. The Andy Munro acoustically designed room now has space for six edit stations, but retains directors’ chairs as close as possible to the mixers. The first projects in the new Dean Street theatre were the final mixes for Fantastic Mr Fox, Kick Ass, Mike Leigh's Another Year and Anton Corbijn’s The American.

With a single 35mm projector, a High Definition V-cube hard disc player and access to various HD formats for playback, the theatre is well appointed to serve the film maker.  Additionally, there is a Foyer and bar area immediately outside the theatre which can be utilised as overflow production space, or to take the all important call for the next project. 

Client Feedback

"Working with both Adrian Rhodes and Mark Paterson was terrific. Both their creative contribution, and their attention to detail was of the highest level, and their collaboration with myself and the entire production team was first class. (And the tea was pretty good too !!)"
Andy Nelson, Sound Editor / Mixer 'Pirates! In an Adventure With Scientists'

I love the way Wuthering sounds. Goldcrest is the best. The people there are passionate about making films. They care. They know what they are talking about and they are nice with it.  Working with them was the bees knees.”
- Andrea Arnold – Director, 'Wuthering Heights'
Sound review of Wuthering Heights from I-flicks

"I couldn't be happier with the brilliant work you guys did on Attack the Block - the whole experience was a total pleasure. You got the 'Bare Skills for Soundz!' Let’s do it again! " 
Joe Cornish, Director, 'Attack the Block'

"The whole experience at Goldcrest was great - obviously Jamie's work sounded top but from my perspective the runners and tech guys were really on top of things so thanks very much for having us and also thanks for sorting out all these last minute sessions." 
Will Cohen, Sound Design & Music Composition on The Guardian’s award winning 'Three Little Pigs Commercial'

Credits

Re-Recording Mixer Mark Paterson 
OSCAR Award for Sound Mixing
BAFTA, CAS & MPSE Awards for Sound 2013

BAFTA 2012
Best Short Film

Temp Mix, ADR
Production Offices

Theatrically Treated

Final Mix, Deliveries

Sound Design, Foley, Mix, Deliveries

Mixes
Deliveries

Temp Mix, ADR

Temp Mix, ADR, Production Offices

Final Mix, Sound Editorial, ADR/VO
(even dinosaur voices) 

Theatrical & TV Final Mix

Final Mix

Equipment Specification

Room/Screen Size

  • room = 13 x 17m
  • screen = 6 x 2.5 m
  • seating = 31 cinema style seats

Console

  • 48 Fader Neve DFC 2
  • 2 x Quad Madi Cards
  • 8 x XSP Cards w/t Mezzanines
  • Colin Broad RM6 Master Transport

Projection/Monitoring

  • Dolby Full Theatrical license
  • Panasonic HD Projector (720p)
  • 35 mm Sondor Nova Film Projector
  • V-Cube HD playback system
  • Tri-amped JBL 5000 surround sound
  • Dolby CP650 Digital Cinema Processor

Protools

  • HD3 48 track dubber
  • HD3 96 i/o playback
  • both running PTv 10.0
  • both 8 core Apple Mac Pro

Outboard

  • TC Electronics System 6000
  • Lexcion 960 L
  • Eventide DSP4000 B+
  • Cedar DNS 1000 noise reduction unit
  • 2 x DBX120A Subharmonic Synths
  • DK Audio MSD 600m Jellyfish Meter
  • Dolby DMU

Additional Information

  • Various Plug-ins
  • Blueray Player
  • Freesat Box